Imaginative and cunning flight
Af : Kari Sønsthagen
Anne
Pedersen (1969) was still training as a graphic designer when the collage
received a visit from the publisher Ejnar Agertoft. He suggested to the
students that they should make a picture book with its entire action taking
place underground. For Anne Pedersen it was a case of no sooner said than done.
The result was Hr. Flugt går under jorden (1995) (Mr. Flight Goes
Underground). Even before this book with the imaginative story was finished it
was sold to the USA, Germany, Norway and the Faroe Island. And several other
countries are considering it. It is quite unheard of in the world of Danish
children’s books that an unknown young author should be the object of so much
interest around the world.
For her picture pages Anne Pedersen has
made use of both coloured crayons, Indian ink and acrylic in order to achieve
as varied an expression as possible and to produce structure in her pictures.
She has succeeded in devising a completely new pictorial means of expression
and is unlike any other Danish illustrator.
Mr. Flight is a rather unfortunate man.
First he tries to rob the National Bank. He fails and is immediately put in
prison. He is terribly bored and begins to concoct some secret plan for escape.
One night Mr. Flight takes his spoon and begins to dig. But things don’t go all
that easily. For he comes across every conceivable kind of person down in the
ground, as well, of course, as moles and mice. First he meets a 3,500-year-old
cave dweller busy painting on the walls. He says that time simply flies when
you are inspired. The next is the driver of a tunnelling machine, who –
understandably – has problems with his machine. He only expects to reach the
surface in two month, and that is far too long for Mr. Flight to wait, so he
continues his lonely digging. One road he follows takes him straight to hell.
Satan himself receives him dressed in state-of-the-art cycling shorts and a
polo-necked clerical shirt. In his confusion Mr. Flight happens to say: “Oh,
God,” a sure way of being thrown out of that establishment. Fashioned like
Viking Age ornaments, the minor demons watch with looks that are part sly, part
worried.
After this scare, Flight bumps into a
working “colleague”. His escapade has been as miserable a failure as Flight’s.
And hey presto, there they both are finally back in a new prison cell. This
time Mr. Flight is so delighted with his cell that he intends to prevent any
possible plans for flight on the part of his new friend.
So what can we learn from all this?
In answer to this direct question, Anne
Pedersen replies that the moral of the story is that justice is always done,
and that you cannot escape from your actions. But the story is not laboured or
particularly moral – it is crafty, amusing and thought - provoking.
This article
was first published in Danish Children’s Literature no 3
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