Exsistence and Responsibility
By : Torben Weinreich
Leif Esper
Andersen’s production is not extensive. He has written four novels, as well as
short stories for various anthologies and a number of easy readers. Then there
are the more autobiographical works Min
Krønike (My Chronicle) (1979) and Journaler
(Journals) (1980), both published posthumously.
He makes his breakthrough
in 1973 with his tightly-composed novel, <>Heksefeber
(Witch Fever). This is a short novel about a boy named Esben who meets
Wise-Hans whilst fleeing from the stake on which his mother has just been burnt
as a witch. Hans takes care of him. While staying with Hans, Esben learns both
to manage in nature, of which they both are described as being part, and an
attitude to life based on existential demands for responsibility and social
awareness. While with Hans, Esben tells his story from the moment when his
mother is accused of being a witch. Hans comments on it and puts the events
into a wider perspective. At this time Hans is himself contacted by people who
need the help of a wise man. Later on his help fails, and the bailiff and his
men appear to fetch him. History has repeated itself and Esben has to slip away
again. Hans’s last bit of advice to Esben is, ”Leave, Esben, and take good care
of yourself – but most of all be careful of everyone else.”
Jozef, the son of a
foreign worker, is the main character in Fremmed
(Alien) (1975). He is divided between Danish and Jugoslav culture. He falls
in love with a Danish girl whose brother and some others humiliate him and beat
him up on a number of occasions. Finally, he retaliates by knifing the brother
down. Jozef realises that he will not be returning to Jugoslavia the way his
family has planned; at least, not just now. This is why he throws himself in
front of a lorry right at the end of the book.
Hakkedrenge (Stutter Boys) (1976) is a boy’s account of how it
happened that his parents had to get divorced. Træl og fri (Slave and Freeman) (1979) is a story about two boys at
the time of the Vikings. One is the son of a chief, the other is a slave, who
are forced to cast off what they are and relate to each other as equals as they
flee after their settlement has been rampaged - a typical theme in Leif Esper
Andersen’s writing.
This is an
extract from Torben Weinreich’s article “I statens tjeneste” (“Serving One’s
Country”) in Dansk Børnelitteratur
Historie (The History of Danish Children’s Literature), Høst & Søn
1992.
Translated by Ian Lukins
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