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Portrait of a writer

Louis Jensen

By Steffen Larsen

In the summer of 1998, Louis Jensen was awarded the prestigious Danish H.C. Andersen prize. It was a good choice of a children's writer who in less than 12 years has changed Danish children's literature and fitted it with seven league boots. Louis Jensen is the old fairy tale author in new clothes.

Apart from some short stories, Louis Jensen first set out with the four books about The Crystal Man. The first book appeared in 1986. It is a modern fairytale, a thought-provoking and in-yer-face series about driving through Denmark on an old motorbike; about growing up and coming home again. Written in a language which is perfectly simple, sad, solemn and gutsy, Louis Jensen is not a funny man, but he has an eye for both high and low absurdities.

Since 1986 Louis Jensen has written a number of modern, magical stories which both make the heart beat and bring you out in a cold sweat. Somewhere inside all of them is a piece of H.C. Andersen's ‘The Snow Queen.’ They are about daring to believe. This is most evident perhaps in 'The Skeleton on Wheels'. It is about a boy who dares to believe that his dog can come back to life. As he bowls along the highway with shining eyes, with the animal's skeleton on a board with fitted wheels, he doesn't doubt for a second that idoF can turn into Fido again!'The Skeleton on Wheels' is one of the new classics of Danish Children's Literature. And this is how it begins: 'When Martin has had his dog for three days, his father and mother kill it. - It came running all by itself.'

Louis Jensen is trained as a town planning architect and lives in Arhus, Jutland. He is a competent chess player, an enthusiastic sailor, and he is also famous for his fine herb garden. But makes a living writing Children's books.

He still investigates the Town with an expert air in Et hus er et ansigt (A House is a Face), a picture book for older children. It consists of a series of brief situations in the light and shade of the town. Father and son walk around looking at cornices and roofs, clouds and drainpipes. All of it is told by the boy, who learns and listens and thinks his own thoughts. On the left hand side of each story there are black and white photographs by Jens Lindhe, one of our very best photographers in this genre. The book is given life and tension with this blend of cool knife-sharpness and rounded childish wisdom. It is a clever book with equally' clever' photographs. Louis Jensen himself once said in an interview: 'It comes to me in pictures, and when I'm lucky they come in the right order.'

Translated by Anne Born

 
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